New York: New York University Press, 2016. ![]() Tasha Oren, Shilpa Dave and Leilani Nishime. “Hybrid Hallyu: The African American Music Tradition in K-pop.” Global Asian American Popular Culture. “Chinatown Black Tigers: Black Masculinity and Chinese Heroism in Frank Chin’s Gunga Din Highway.” Ethnic Studies Review 26.1 (2003): 67-86. “Racial Discourse and Black-Japanese Dynamics in Ishmael Reed’s Japanese by Spring.” MELUS 29. “ ‘The Girl Isn’t White’: New Racial Dimensions in Octavia Butler’s Survivor.” Extrapolation 47.1 (2006): 35-50. “These-Are-the ‘Breaks’: A Roundtable Discussion on Teaching the Post-Soul Aesthetic.” African American Review 41.4 (2007): 787-804. “The Afro-Asiatic Floating World: Post-Soul Implications of the Art of iona rozeal brown.” African American Review 41.4 (2007): 655-666. Jackson: University of Mississippi Press, 2013. Jackson: University of Mississippi Press, 2020.īeyond ‘The Chinese Connection’: Contemporary Afro-Asian Cultural Production. Soul in Seoul: Black Popular Music and K-pop. Develops and implements research training programs for student research assistants. Digital humanities project that curates global Korean popular music (K-pop) through digital exhibits on music, choreography and creative personnel using Omeka. Collaborative information database that aggregates and curates information about Hallyu-era K-pop artist and groups using Omeka. A veteran blogger on Asian popular culture, she is also a former associate chief editor for hellokpop. She also manages several digital humanities projects, including KPK: Kpop Kollective, the oldest and only public scholarship site on K-pop for academics and fans. She has published articles on Afro-Asian cultural studies in several journals including African American Review, MELUS, Ethnic Studies Review and Extrapolation as well as book chapters on masculinity in K-pop and Afro-Japanese representation in art. Her 2013 book, Beyond the Chinese Connection: Contemporary Afro-Asian Cultural Production, uses the films of Bruce Lee to interpret cross-cultural dynamics in post-1990 novels, films and anime. Her 2020 book, Soul in Seoul: African American Music and K-pop, explores the impact of African American popular music on contemporary Korean pop, R&B and hip-hop and the role of global fans as the music press. Anderson (PhD) works within the fields of Transnational American Studies, Black Internationalism and Global Asias, focusing on cultural studies, including popular culture, media studies, visual culture, audience reception and literature. ![]() Media studies, popular culture, popular music, visual culture, literature and audience and fan receptionĬrystal S.
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